[. . . ] VMX100 Users Manual Version 1. 2 July 2004 PRO MIXER ENGLISH PRO MIXER VMX100 IMPORTANT SAFETY INSTRUCTIONS DETAILED SAFETY INSTRUCTIONS: 1) Read these instructions. 4) Follow all instructions. CAUTION: To reduce the risk of electric shock, do not remove the top cover (or the rear section). No user serviceable parts inside; refer servicing to qualified personnel. 5) Do not use this apparatus near water. 8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. [. . . ] In other words, the level of line signals is up to 100 times higher than phono output levels. Its a good idea to adjust the equalizer before you set the level with the GAIN control. Each of the two input channels is equipped with a 2-BAND EQUALIZER with kill characteristic. The maximum amount of attenuation (-32 dB) is much higher than the maximum boost (+12 dB), allowing entire frequency spectrums to be removed from a track. The CHANNEL fader adjusts the final channel volume. + 3 4 2. 2 PFL section (Pre Fader Listening) The PFL signal is a pre-fader headphones signal, enabling you to pre-listen to a signal source without effecting the main signal. 5 6 7 8 The LEVEL control determines the volume of the headphones signal. The LEVEL METER displays the level of the signal selected via the MAIN/PFL button ( ). The MAIN/PFL button allows you to route either the main or PFL signal to the display. Remember: PFL is your pre-listening or headphone signal and MAIN is the signal assigned to the outputs of the VMX100. In PFL mode, the channel 1 signal is displayed on the left side of the LEVEL METER, and channel 2 on the right. + 2. 3 9 10 MIC/MAIN section The MAIN knob controls the overall output volume. The MIC LEVEL control adjusts the volume of the microphone signal. 2. 4 Beat counter The PRO MIXER VMX100s built-in beat counter is an extremely useful feature, allowing smooth crossfades between two tracksan important key to the success of your performance. The beat counter analyzes and displays the tempi of your tracks in BPM (Beats Per Minute). The tempo of the track is shown in the respective channels DISPLAY ( ). In the case of multiple tempo changes, the display would change continuously, causing unnecessary confusion and rendering the function virtually useless. The MIC INPUT connector is a balanced ¼" TRS socket for microphone connection. We strongly recommend the use of high-grade cables and connectors for the transmission of audio signals. Inferior quality materials cannot supply acceptable audio quality or corrosion protection. The HEADPHONES socket allows you to connect your headphones for pre-listening (PFL signal). For best results, use headphones with an impedance rating of at least 32 Ohms. + 18 + 19 3. REAR PANEL With the exception of MIC INPUT and HEADPHONES, all of the VMX100s audio connections are located on the rear panel and supplied as RCA connectors. Fig 3. 1: Rear view of the PRO MIXER VMX100 20 21 22 23 The PHONO inputs for channel 1 and 2 are only for turntable connection. The LINE inputs may be used for connecting tape decks, CD or MD players etc. The level is controlled by the MAIN knob in the MIC/MAIN section. 8 3. REAR PANEL PRO MIXER VMX100 + In order to avoid power-up thumps, which can damage your loudspeakers, please power up your amplifier last. [. . . ] Under the terms of this warranty, BEHRINGER shall not be held responsible for any cost resulting from such a modification/adaptation. Free inspections and maintenance/repair work are expressly excluded from this warranty, in particular, if caused by improper handling of the product by the user. This also applies to defects caused by normal wear and tear, in particular, of faders, crossfaders, potentiometers, keys/buttons, tubes, guitar strings, illuminants and similar parts. Damages/defects caused by the following conditions are not covered by this warranty: s improper handling, neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals. [. . . ]